WORK HISTORY

CONTENT CREATOR // Beekeeper’s Naturals

Directed, produced, and edited diverse branded content, including street interviews and engaging shorts. Collaborated with social media teams on ideation and led full-cycle production efforts. Executed comprehensive post-production, including editing, sound design, and color correction, to deliver consistent, high-quality mini-films.

CREATIVE ASSOCIATE // Golden LA

Provided original and inventive contributions on high-end commercials, collaborating closely with director Saman Kesh for clients such as Netflix, Nintendo, and Comcast. Assisted in storyboarding, casting, location scouting, and script writing. Supported all stages of production during international travel to align with client expectations.

ASSOCIATE PRODUCER // Films By Youth Inside

Headed budget breakdowns, production research, and post-production supervision for projects written, directed, and performed by incarcerated youth. Coordinated with director Alex Muñoz to manage creative and logistical aspects of the nonprofit's productions.

ASSISTANT DIRECTOR //

New Line Cinema, Blumhouse, K Period Media, Ruffian, Public Road Productions

Collaborated on global commercial projects for major brands including Apple, BMW, and Toyota.

Supported Martin Krejčí throughout pre, pro, and post-production on the independent film The True Adventures of Wolfboy where I liaised between executive producers, department heads, and the film commission office.

Assisted Brett Morgen on the Hulu pilot When the Street Lights Go On and the National Geographic documentary Jane.

Managed an office team of 14 and facilitated seamless operations across multiple projects.

Supported director Brad Peyton on the blockbuster production of San Andreas ensuring seamless coordination between department heads, talent, and studio executives.

Ran point on casting notes, script revisions, and managed international logistics for an overseas shoot.

Assisted Brad Peyton on the indie horror Incarnate and supported his other live-action and animation projects across different production stages and countries.

Conducted extensive research, gathered historical references, and developed visual bibles.

Assisted David Gelb on the feature film The Lazarus Effect, delivering script coverage, managing calendars, and sourcing stock footage, while discreetly coordinating with A-list talent.

OFFICE MANAGER // City Room Creative

As the first employee of the post-production house I helped set up our office and oversaw day-to-day activities. Managed accounts receivable/payable, implemented equipment rental programs, and facilitated creative meetings. While keeping an efficient and accurate post workflow; of video asset intake, management, and output. I started social media outreach, and oversaw intern tasks. Interviewed and tracked editors and directors. Managed WHO WHAT WEAR fashion shoots. Assisted the founders in all capacities necessary to grow a successful start-up company.

FREELANCE //

Between my primary roles, I worked on a variety of freelance projects that expanded my skills and kept me engaged in diverse aspects of the industry. Here are some notable highlights:

Set Dresser; Now by Paramore, Timeless by The Airborne Toxic Event, Steve Martin & Edie Brickell - Love Will Come For You, Ghost Girls web-series, commercials for: Claritin D & Ugg.

Production Assistant; Pee-wee’s Big Holiday, The Gift, Lost City of Z, Baskets, I’m Dying Up Here, Bella and the Bulldogs, commercials for: Alfa Romeo, Buffalo Wild Wings, Tampax, Papa Johns, Humira, and Funny or Die Real Life Horse, plus The Bucket List Family.

Photographer’s Assistant; for Dan Doperalski at Variety, shooting: Ciara, Zoe Saldana, Mel Gibson, Matthew McConaughey, G-Eazy.